Thursday, 5 May 2011

Professional Practise: Contextual Research

Research


Professional practise is a module for our photography course. The module is exceptionally important for our survival into the professional world which for some of us is not far away. I have decided to study into the third year anyway so some could argue that its not as important but I still feel obliged to commit to it. We have to produce a whole range of components for our final hand in such as these blogs to show research, a C.V, letterheads, business cards, composite cards and an updated website. We also have to produce fifteen finished photographs split into three different topics of our chosen field of photography. The photographs have to be exhibited on our website.

The Idea


The idea for me was simple. We had the choice of using photographs that had previously been taken, Over the christmas, I had the opportunity to travel to Zimbabwe for three weeks to photograph wildlife so I could include at least five photographs of wildlife. The photographs I took in Zimbabwe where some of the finest pictures I have taken and i'm sure I will have the chance to take much better ones in my life but for the time being these photographs work well for my portfolio.






I think these are some of the best photographs I took in Zimbabwe. I've only included five because this is the amount that I'll be including for my portfolio. The other ten will be of two other topics. I travelled once to South Africa when I was sixteen but because I was young and had a basic camera with little experience, I didn't manage to get the best photographs and only a few would be of good use for this project so I decided not to use them. I feel the photographs I took in Zimbabwe were of much better standard anyway.

Travel

When I was eighteen, I travelled around the globe for my gap year. I left school not knowing what to do and thought of attending university but decided to work and travel. It was one of the best experiences of my life and broadened my horizons as well as my intelligence. What made it most worth it was the love for photography that I had gained. I had always had an interest for photography but since travelling around the world to places such as Indo China, Australia and The South Pacific, my interest has become more real and professional. I decided to study photography at university because of the experiences I had with the camera and so I felt it was important to include some of the photographs I took abroad where photographical opportunities awaited every day.  


Ayers Rock, Australia


Yasawa Island, Fiji


Halong Bay, Vietnam


June Lake, Canada


Angkor Wat temple, Cambodia.

These are only five photographs of the thousands I took travelling a few years ago. I don't think these are the best photographs I took travelling but these were just a random selection from all over the world. I would have to include the best photographs from my travelling experience and mixing them with wildlife would make a nice portfolio.

Documentary

The documentary photographs I have are of everyday life in England which I have taken since buying a nice camera. I was originally shooting on a basic digital camera but when I travelled I upgraded to a Canon 450D. I am now looking at buying a Canon 5D but that costs alot. There are plenty of things to photograph in England and sports, scenery and everyday life are appealing.






These are photographs taken in Somerset. Although there is a clear difference within my photos in my portfolio, I still feel that the strongest photographs I have are of Nature and the natural world. Most of the photographs I've taken have wildlife in them and alot of this was travelling. I feel that there is nothing wrong with putting picture of a similar topic if they are my strongest photographs. It is my portfolio so I want to have the best pictures I have.

Photographers

Researching photographers was important for me to understand what sort of photographs I wanted in my research book. I also wanted to see how many photographers had portfolios of considerable difference. The most inspiring photographers were the people working for National Geographic but I have researched them before in other modules.



These photographers have inspired me and the way they photographed made me a better photographer whilst out in Zimbabwe. 

Although this link below is a film, it still resembles what my interests are and sums up exactly what i would like to be doing. Working with the BBC, National Geographic and most importantly, working in film aswell as photography. Although I study photography, I consider myself more of film man than a photographer. This by any means does not mean I have no interest for photography but my interest for film, moving image and filming is stronger. Unfortunately we cannot include movies in our portfolios and at this current time, I have nothing strong to include so It works out nicely after all.




Something I really want to do in life is film documentaries and especially documentaries about Wildlife. Zimbabwe really opened my eyes about filming and photographing nature so I feel its important to include images of wildlife in my portfolio. The trailer above is a documentary about a story of a young leopard cub growing into a strong adult. Although these are not images and something like this cant be put into my portfolio, it symbolises what I would like top do in life.

I have a strong passion for film and especially documentaries. This is what I would like to do.





Website Design

Website design was hard to do and I have always found it a bit of an undertaking to create websites. All the pictures from our portfolio have to be stored on our website for the viewer to see. I did research about the kind of websites that appealed to me. 





















Research was crucial for my website design and to create a perfect website, there was a lot I needed to do in terms of researching. There are not too many websites which always catch my eye, instead I've always been more keen on photographers and websites such as Getty Images that specialise in pictures of the same topic. There aren't too many photographers that I really worship and even less websites that appeal to me and make me want to base my website on.




















Even websites such as the BBC produce some wonderful photographs and because they hire more than one photographer to take pictures of current affairs, the photographs are very varied. The top News companies like the BBC, guardian and independent all have websites with the photographs being displayed and hundreds of photo journalists working for them. Website designers also work for these companies to try and improve websites all the time.

Getty Images

Although not a photographers website, Getty images.co.uk is a website purely for photos and open to all. Photographers who work for the company take pictures every day to keep the website updated including random photographers who are paid for their photos to be uploaded to the website. Photographers who work for the BBC can sell their photographs to Getty Images. With hundreds of thousands of photos, Getty images is a perfect website to research as it allows you to find any photograph on there and is simple and easy to use. The website also allows one to buy photographs which can be turned into posters which is a useful quality to have. Getty Images allows one to view anything that has anything to do with pictures.


























Something I also like about Getty Images is the logo placed bang in the centre of the photograph. Although this may annoy the viewer, it also prevents copyright and makes the viewer have to buy the photograph or live with the logo being in the photograph. Being such a big multi-millionaire company, every precaution has to be taken.

Although I feel the website works well, I feel it is too complicated. Here we have the exact same image as above but before I have saved just the photograph. There are a great bunch of buttons to click including “add to basket”, “view pricing” and a “print preview” button.



I do however like the layout of the website and would like to base my website on something similar to this. If I could just make it more simple, because my website will not have as many viewers and doesn't need half the links that a website like Getty images has.

A little to complicated for a website in my opinion. However Getty Images is a multi millionaire company that have millions of people around the world using it. Because of this reason, the website has too have a lot of links including accounts and a login page.


You can also search for photographers as well as just pictures. For example, If I typed into the search bar “leopard” then the search would give me hundreds or even thousands of photographs of leopards. If I typed in a photographer like Simon Norfolk who is one of my favourite photographers then I would receive pictures of his work.

My guess is that a website like Getty images and National Geographic would have taken a while to design and create. Websites like this are constantly under construction and updating every day for the public. Most freelance photographers who have websites don't update on a regular basis unless they have new images to display.

National Geographic:

A similar website to Getty images that I also like is National Geographic. The reason why I say its similar is because they both specialise in photography that's similar.
However National Geographic is very fixed on wildlife photography and travel, culture and adventure, where as Getty Images have photographs of everything you could search for. I prefer the way Getty images lets one search for something, national geographic is a little more complicated as I have demonstrated here.


I like the photographers who work for National Geographic and so I thought these photographers websites could be good research. All of these photographers work for National Geographic.




All of these photographers of whom work for national geographic are good photographers and all of their websites inspire me to create mine of a similar level. I created a website last year for specialisation but this year we have to create a new one.


C.V's


I have a C.V, but not anything of photographic importance. The C.V I have printed off for job interviews has been for basic part time jobs on the weekend such as the cinema, retail and bar jobs. I would like a C.V for photographic professional purposes and the module enables us to make one of our own. A C.V is vital for professional purposes so the earlier I start making one, the better.


These are a few C.V's I researched so I could get a basic idea of what I'd like my C.V to look like.



A C.V by simon Lewis, a photographer of whom I don't know much about by I liked the layout of the webpage. He also has his own letterhead and logo at the top of the C.V just to make sure the viewer is clear there viewing the right photographer. It clearly states where he's exhibited his work and the awards he's won. The left of the page tells us who the photographer is and a little bit about his background, what kind of photographer this man is. The right of the page hi lighted in grey tells us what he has done and who he has worked for. Nice and simple and the contact number clearly coloured in white at the bottom stands out.

Tim Laman

This is a photographer I have an obsession for anyway. His work inspired me to take pictures in Zimbabwe so its only natural I research C.V's by wildlife photographers. 






This C.V proves a little more complicated than Simon Lewis's C.V as the C.V takes up more space. Instead of cramming the text into one page, he spaces out over a few. The C.V is not necessarily bigger than Lewis's but Laman has decided to expand it, mabye to make it look more impressive. I'm not a huge fan and prefer Simon Lewis's because the C.V only takes up one page. I believe Simplicity is perfection.

Rowan Butler  


Simon Norfolk C.V



Simon Norfolk
Born: 24 January 1963 in Lagos, Nigeria.
Lives and works in Brighton on the south coast of England.
Solo Exhibition Tours
For Most Of It I Have No Words: Genocide, Landscape, Memory.
1999The Royal Photographic Society, Bath
Impressions Gallery, York
Open Eye Gallery, Liverpool
Blue Sky Gallery, Portland, OR, USA
Side Gallery, Newcastle
Nederlands Foto Instituut, Rotterdam, The Netherlands
The 5th International Fototage, Herten, Germany
2000The Imperial War Museum, London
BMJ article – review of exhibition 
The Independent Newspaper review
Portland Art Museum, Portland, OR, USA
http://portlandartmuseum.org/
2002The Holocaust Museum, Houston, TX, USA http://www.hmh.org
Photosynkyria, Thessaloniki, Greece.
http://www.photosynkyria.gr/2002/exhibitions_gr/28.htm
2003The Minneapolis Center for Photography, MN, USA
‘City Pages’ Article: Simon Norfolk talks about genocide, landscape and beauty
‘Empty Cabinets’. Article by Brandon Hillard.

The Society For Contemporary Photography, Kansas City, MO, USA
2007Illinois Holocaust Museum, Chicago, USA
http://www.hmfi.org/
Afghanistan: chronotopia
2002The Minneapolis Center for Photography, MN, USA
The British Council, London
Open Eye Gallery, Liverpool
Side Gallery, Newcastle
Photofusion Gallery, London
Trace Gallery, Weymouth, Dorset
The Hereford Photography Festival, Hereford
Galerie Martin Kudlek, Köln
Deutsches Architektur Museum, Frankfurt
Gallerie FOTO, Sarajevo, Bosnia-Herzegovina
The Florence Photography Festival, Florence
The Sani Festival, Thessaloniki, Greece
The Griffin Center for Photography, Boston, MA, USA
The Halsey Gallery at The College of Charleston, Charleston, SC, USA
http://www.cofc.edu/halseygallery/PalimpsestAfghanistan/sn_images.htm
http://www.cofc.edu/halseygallery/PalimpsestAfghanistan/sn_bio.htm
FotoFest, Houston, TX, USA
http://www.fotofest.org/archExhibitDetails.asp?eventID=30
http://www.fotofest.org/newsDetails.asp?newsID=63
Blue Sky Gallery, Portland, OR, USA
http://www.blueskygallery.org/2003/january_1.html
Benham Gallery, Seattle, WA, USA
http://www.benhamgallery.com/exhibit/previous/mar_03.html
http://seattlepi.nwsource.com/visualart/110576_artofwar.shtml
2003Grand Rapids Community College, Grand Rapids, MI, US
Blue Star Art Space, San Antonio, TX, USA
Fotofestival Naarden, The Netherlands
2nd International Photography Festival, Rome http://www.fotografiafestival.it/
The Sirius Arts Centre, Cobh, Ireland http://www.iol.ie/~cobharts/
The Citibank Prize, The Photographers’ Gallery, London
http://www.photonet.org.uk/index.php?id=23,137,0,0,1,0
The Citibank Prize, Museum Kunst Palast, Dusseldorf
http://www.museum-kunst-palast.de/mediabig/663A/index.html
http://www.museum-kunst-palast.de/SES26088376/lang1/doc273A
The Citibank Prize, Photo Espana, Madrid http://www.phedigital.com/anteriores/html/phe03/
2004Belfast Exposed, Belfast, N.Ireland
http://www.belfastexposed.org/exhibitions/index.php?exhibition=39&year=2004&show=past
2005Zephyr, Mannheim (with Ori Gersht)
http://www.zephyr-mannheim.de/ (go to ‘archive’ – ‘Simon Norfolk’)
Other solo shows
2004‘Utah, Omaha, Gold, Juno, Sword,’ Galerie Martin Kudlek, Köln
‘Scenes from a Liberated Iraq,’ FotoFest, Houston http://www.fotofest.org/archNewsDetails.asp?newsID=87
‘Scenes from a Liberated Iraq,’ Gallery Luisotti, Santa Monica, CA, USA
http://www.artnet.de/Galleries/Artists_detail.asp?G=&gid=684&which=&aid=424017906&ViewArtistBy=online&rta=http://www.artnet.de
2005‘Et in Arcadia ego,’ Bonni Benrubi Gallery, New York, NY, USA
http://www.bonnibenrubi.com/index3.html
‘Eastern Bosnia and Northern Normandy,’ The Photographers’ Gallery, London
http://www.photonet.org.uk
‘Bleed,’ Blue Sky Gallery, Portland, OR, USA
http://www.blueskygallery.org/2005/may_1.html
‘Et in Arcadia ego,’ Les Rencontres d’Arles, Arles, France
‘Et in Arcadia ego,’ Lavitt’s Quay, Cork
‘Welcome to the Hotel Africa,’ Lavitt’s Quay, Cork
 http://www.kunstaspekte.de/index.php?tid=13173&action=termin
Press release
‘Refuge,’ Sirius Arts Centre, Cork
http://www.iol.ie/~cobharts/prog2005.html
‘Welcome to the Hotel Africa,’ Hereford Photography Festival
http://www.photofest.org/2005/africa.htm
2006‘Et in Arcadia ego,’ The Halsey Gallery of the College of Charleston, South Carolina, USA
http://www.cofc.edu/halseygallery/programs/spring06.html
Review of exhibition
http://www.charlestoncitypaper.com/gyrobase/Content?oid=oid%3A9045
‘Et in Arcadia ego,’ Russian Academy of Fine Arts, Moscow
http://www.mdf.ru/english/festivals/fotobiennale/
http://www.mdf.ru/english/festivals/fotobiennale/biennale2006/norfolk_fb06
‘I’m  sorry Dave, I’m afraid I can’t do that.’ The AoP Gallery, London
http://www.the-aop.org/pdfs/gallery/simon_norfolk_PR.pdf
‘Et in Arcadia ego,’ Shanghai Art Museum
2007‘I’m  sorry Dave, I’m afraid I can’t do that.’ La Médiatine, Brussels
http://www.etworc.be/fr/arcadia.htm
‘I’m  sorry Dave, I’m afraid I can’t do that.’ McBride Fine Arts, Antwerp
www.mcbridefineart.com
‘Archaeological Treasures from the Tigris Valley,’ Le Theatre Royal de Namur, Belgium
http://www.theatredenamur.be/saison20062007/event.php?id=138
Ogilvy and Mather, New York
2008Biennale Internazionale di Fotografia di Brescia, Italy'Full Spectrum Dominance: missiles, rockets, satellites in America,' one of Kathy Ryan's curated exhibitions, part of the New York Photo Festival. http://www.nyphotofestival.com/http://blog.photoshelter.com/2008/05/simon-norfolk-blasts-off-with-the-times-magazine.htmlhttp://uk.youtube.com/watch?v=_nVl5wPh2k0'Simon Norfolk: a retrospective,' MACUF – Museo de Arte Contemporáneo de Unión Fenosa, La Coruña, Spain
http://www.macuf.es/index.html'Full Spectrum Dominance: missiles, rockets, satellites in America,' Michael Hoppen Contemporary, London
http://www.michaelhoppengallery.com/artist,show,3,116,0,0,0,0,0,0,simon_norfolk.html
Selected Group Shows
2003‘War’ Centre de Cultura Contemporània de Barcelona, Spain
‘In Nature - the obsessive eye, the absent mind’, The 10th Turin Biennale, Italy
‘M_ARS Art and War’, Neue Gallerie Graz, Austria
http://www.neuegalerie.at/03/mars/kuenstler_e.html
The Citibank Prize, The Photographers’ Gallery, London
http://www.photonet.org.uk/index.php?id=23,137,0,0,1,0
The Citibank Prize, Museum Kunst Palast, Dusseldorf, Germany
http://www.museum-kunst-palast.de/mediabig/663A/index.html
http://www.museum-kunst-palast.de/SES26088376/lang1/doc273A
The Citibank Prize, Photo Espana, Madrid, Spain
http://www.phedigital.com/anteriores/html/phe03/
2004‘Arti & Archittettura’, Palazzo Ducale, Genova, Italy
2005‘Vital Signs’, The George Eastman House, Rochester, NY, USA
http://www.eastmanhouse.org/exhibits/container_36/index.php
‘Srebrenica - Remembrance for the Future’ organized by the Heinrich Böll Stiftung. Tour to Brussels, Belgrade, Berlin, Athens, Washington, Strasbourg and Sarajevo
http://www.friendsofbosnia.org/_news/89_tenYrDirectory/
2006‘post-doc’ Thessaloniki Museum of Photography, Greece http://www.thmphoto.gr/Night of the Museums at Stifftung Deutsche Börse, Frankfurt
“Ecotopia” The 2nd ICP Trienial, International Center of Photography, New York
http://www.icp.org/site/c.dnJGKJNsFqG/b.2031117/k.C899/Ecotopia.htm
http://www.britishcouncil.org/greece-arts-and-culture-simon-norfolk-photography-exhibition.htm
"Long Exposures: Contemporary photo-essays from the permanent collection,” Los Angeles County Museum of Art
http://www.lacma.org/press/releases/LONGEXPOSURES_072606PM.pdf
2007“Beautiful Suffering, Photography And the Traffic in Pain”. Williams College Museum of Art, Massachussetts, USA
http://www.wcma.org/press/06/06_Beautiful_Suffering.shtml“Ingenuity” (Engineering in Photography). The Calouste Gulbenkian, Foundation, Lisbon, Portugal
‘Loaded Landscapes,’ Museum of Contemporary Photography, Chicago
http://mocp.org/exhibitions/2007/08/loaded_landscap.php
‘Aftershock,’ Sainsbury Centre for Visual Art, Norwich, UK
Break 2.4, International Art Festival, Ljubljana, Slovenia
'How We Are: Photographing Britain. Tate Britain, London
http://www.tate.org.uk/britain/exhibitions/howweare/
2008'Masterworks of American Photography,' Amon Carter Museum, Fort Worth, Texas
http://www.cartermuseum.org/exhibitions/masterworks-of-american-photography'Blight and Hope' Sookmyung Women's University, Seoul, Korea and The Korean Cultural Centre, London
'The Sublime Image of Destruction,' De La Warr Pavilion, Bexhill, E. Sussex part of Brighton Photo Biennial 2008
http://www.bpb.org.uk/2008/exhibitions/3034/the-sublime-image-of-destruction/
International Prizes
2001A World Press Award
http://www.worldpressphoto.org/index.php?option=com_contact&task=view&contact_id=379&Itemid=142&catids=175,176&bandwidth=high
A Silver Award from the Association of Photographers, UK
http://www.the-awards.com/
2002The 'Sani' Prize from Photosynkyria. Thessaloniki, Greece
The Olivier Rebbot Award for Best International Reporting from the Foreign Press Club of America (for the Afghanistan work in the New York Times Magazine.)
http://www.opcofamerica.org/20030422237/past-awards/2002-opc-award-winners.htmlThe European Publishers’ Award for Photography (for 'Afghanistan: chronotopia.')
http://www.leica-camera.us/culture/leica_publishers_award/
2003Shortlisted for the Citibank Prize 2003
http://www.photonet.org.uk/index.php?id=23,137,0,0,1,0
The Stuttgarter Fotobuchpreis
http://www.deutscher-fotobuchpreis.de/html/2003.htm
2004The Infinity Award from the International Center for Photography, New York (for the Refugee work in the New York Times Magazine.)
http://www.icp.org/site/c.dnJGKJNsFqG/b.2461197/k.FEBC/Past_Recipients_19962006.htm
2005The Association of Photographers’ Bursary
http://www.the-aop.org/pdfs/gallery/simon_norfolk_PR.pdf
Le Prix Dialogue, Les Rencontres d’Arles 2005
http://www.kunstaspekte.de/index.php?action=termin&tid=12464
2006The Association of Photographers’ ‘Document’ Prize and a Silver Award
http://www.the-awards.com/
2008American Photography 24
PDN's 'Photography Annual'
Collections
The Getty Museum, Los Angeles http://www.getty.edu/
The National Media Museum, Bradford (formerly NMFPTV)
http://www.nationalmediamuseum.org.uk/Collections
The Sir Elton John Collection
The British Council Collection
http://collection.britishcouncil.org/html/portfolio/workportfolio.aspx?portfolioID=226&artistID=19162
The Hayward Gallery, London
The Museum of Fine Arts, Houston
http://www.mfah.org/main.asp?target=collection&par1=14
Portland Art Museum (Oregon)
http://www.pam.org/
The Weismann Art Museum, Minneapolis
http://www.weisman.umn.edu/
Wolverhampton Art Gallery and Museum
http://www.wolverhamptonart.org.uk/art_insight/art/images_conflict/hope
Los Angeles County Museum of Art
http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=browse;dept=photo;method=artist;searchtype=1;term=Norfolk,%20Simon
Article featuring Simon’s work at the Museum
http://www.artnews.com/issues/article.asp?art_id=2233
San Francisco Museum of Modern Art
http://www.sfmoma.org/
The George Eastman House, Rochester, NY
http://www.eastmanhouse.org/
Channel 4 TV, UK
Gana Art Center, S. Korea
http://english.ganaart.com/main.html
Deutsche Böurse Art Collection
http://deutsche-boerse.com/dbag/dispatch/en/kir/gdb_navigation/about_us/30_Art_Collection/40_artists/51_norfolk?horizontal=pageThe ING Bank Art Collection, Belgium
http://www.ing.be:80/about/showdoc.jsp?docid=145516&menopt=iso|abo|art|exp

The Wilson Centre for Photography, UK
The Moscow House of Photography, Russia
http://www.mdf.ru/english/festivals/fotobiennale/biennale2006/norfolk_fb06/
The Photographers Gallery, London
http://www.photonet.org.uk/index.php?id=103,287,1,0,1,0
Various private collections in Europe, the Far East and the USA
Museum of the Photographic Arts, San Diego, California
http://www.mopa.org/Amon Carter Museum, Fort Worth, Texas
http://www.cartermuseum.org/Illinois Holocaust Museum, Illinois
http://www.hmfi.org/St. Louis Art Museum, Missouri
http://www.slam.org/Nelson-Atkins Museum of Art, Kansas City, Missouri
http://www.nelson-atkins.org/

Commissions
2004'Coalfield Stories,’ Side Gallery, Newcastle; looking at changes in the landscape of East Durham coalfield since the end of the mining industry
http://www.amber-online.com/exhibitions/goaf-by-simon-norfolk
http://www.photofusion.org/gallery/photography/exhibitions/past/archive/coalfield/coalfieldstories.htm
http://www.easington.gov.uk/news/2004news/Travellingexhibitionportraystheregionanditspeople.asp
2005Artist in Residence to the Irish Army commissioned to produce work on Irish UN Peacekeeping operations in Liberia and Kosovo. Exhibited at Collins Barracks, Cork and Sirius Art Centre, Cobh, part of 'Cork 2005, European City of Culture.'
Publications
Monographs:
‘For Most Of It I Have No Words: Genocide, Landscape, Memory.’ With an introduction by Michael Ignatieff. 194 pp. Dewi Lewis Publishing, Manchester, 1998. 1-899235-66-3
http://www.dewilewispublishing.com/PHOTOGRAPHY/Simon_Norfolk.html
‘Afghanistan: chronotopia.’ 166 pp. Dewi Lewis Publishing, Manchester, 2002. 1-899235-54-X
http://www.dewilewispublishing.com/PHOTOGRAPHY/Simon_Norfolk.html
‘Afghanistan: chronotopia.’ 166 pp. Actes Sud, Arles, 2002
‘Afghanistan: chronotopia.’ 166 pp. Lunwerg Editions, Barcelona, 2002
‘Afganistan.’ 166 pp. Peliti Associati, Rome, 2002
‘Afghanistan Zero.’ 166 pp. Edition Braus, Heidelberg, 2002
‘Afghanistan’ A Limited Edition box set of 12 images. Dewi Lewis Publishing, Manchester, 2003
‘Bleed’ 64 pp Dewi Lewis Publishing, Manchester, 2005. 1-904587-19-4
http://www.dewilewispublishing.com/PHOTOGRAPHY/bleed_norfolk.html
Editorial
Articles about Simon Norfolk’s work
Portfolio (Scotland)
http://www.portfoliocatalogue.com/
http://www.portfoliocatalogue.com/36/index.phpKatalog (Denmark)
Internazionale (Italy)
PDN (USA);
FotoMagazin (Germany)
Afterimage (USA)
Spot (USA)
Frankfurter Rundschau (Germany)
Vanidad (Spain)
Photographer's International (Taiwan)
Camerawork (USA)
The Guardian Weekend (UK)
‘Frontlines’ January 2007
‘A Kind of Home’ December 2003
The Los Angeles Times (USA)
Deek, Pittsburgh (USA)
C Photo Magazine (Madrid and London)
Spoon (France)
Pozytyw (Poland)
i-D (UK)
EI8HT (UK)
Contemporary (UK)
Cross Magazine (Italy)
Aggelioforos tis Kiriakis (Greece)
Modern Painters (UK)
Exit (Spain)
Beaux Arts Magazine (France) no. 257, Novembre 2005, p81 “Tendance: La nouvelle école documentaire.”
Hotshoe Intenational
http://www.hotshoeinternational.com/home.do?ci=2Exit (USA)
http://www.exitmagazine.co.uk/
Australian Photojournalist
http://www.photojournalist.com.au/
PhotoGRAPHICA (Japan)
Foto8
http://www.foto8.com/Foil + Iann (Korea)
http://www.iannmagazine.com/

Websites featuring Articles on Simon Norfolk’s work
BLDGBLOG
An interview with Simon Norfolk: ‘War/Photography’ by  Geoff Manaugh.
Interview repeated in:
032c Magazine: http://www.032c.com/
Fotomuseum Magazine 37: http://www.fotomuseum.be/lezingen/
Lens Culture
An article on Simon Norfolk: ‘Forensic Traces of War’ and audio interview by Jim Casper.
http://www.lensculture.com/norfolk.html
Peter Parkes
‘War Photography from Simon Norfolk Brooding, captivating, utterly unconventional war photography’
Subtopia, A Field to Military Urbanism
‘A “Military Sublime”’ by Bryan Finoki
Pruned - On landscape architecture and related fields
http://pruned.blogspot.com/2006/03/et-in-arcadia-ego.html
Foto8
http://www.foto8.com/home/content/view/495/436/
Fotomat (Turkey)
www.fotomatdergi.com
The issue is downloadable at:
http://www.fotomatdergi.com/sayi6.htm
Very interesting Flickr thread
Periodicals featuring Simon Norfolk’s work
The New York Times Magazine
'Trajectories - Missiles and Rockets' 2008
‘When Protons will Play’ 2007
‘The Border Dividing Arizona’ by Jo Lelyveld 2006
The Summer War in Lebanon 2006
‘War Films’ 2005
‘The Last of the Moderns’ an interview with the architect Oscar Niemeyer, 2005.
‘Art’s Last Lonely Cowboy’ an interview with Michael Heizer, 2005
‘The 2004 Presidential Race’ 2004
Harper’s Magazine (USA)
The Guardian Weekend (UK)
The Observer Magazine (UK)
The Sunday Times Magazine (UK)
The Sunday Telegraph Magazine (UK)
La Repubblica (Italy)
The South China Morning Post (Hong Kong)
El Pais (Spain)
Maclean's (Canada)
Volkskrant Magazine (The Netherlands)
El Sabado (Chile)
Granta (UK)
Another Magazine (UK)
Geo (Germany)
Granta (UK)
Pitch (The Netherlands)
FotoMuseum Magazine (FotoMuseum Provincie Antwerpe)
Books/catalogues featuring Simon Norfolk’s work
‘M_ARS: Art and War’ by Peter Weibel, Günther Holler-Schuster, 2003
‘Things As They Are: Photojournalism in context since 1955’ by Mary Panzer and Christian Caujolle, 2005
http://www.amazon.com/Things-They-Are-Mary-Panzer/dp/1597110140
“Beautiful Suffering, Photography And the Traffic in Pain”. Williams College Museum of Art, Massachussetts, USA, 2006
http://www.wcma.org/press/06/06_Beautiful_Suffering.shtml
‘So Now Then’ by David Campany, Martha Langford, Jan-Erik Lundstrom, and Christopher Coppock 2006
http://www.photofest.org/2006/sonowthen.htm
‘Die Fotografen. 60 außergewöhnliche Geschichten aus 30 Jahren GEO,’ von Peter-Matthias Gaede, 2006
‘New Art On View: The Contemporary Art Society’s Special Collections Scheme, 2006
‘Ecotopia: The 2nd ICP Triennial,’ Brian Wallis, Edward Earle, Christopher Phillips, Carol Squiers, 2006
‘Post-Doc: The 13th Inernational Month of Photography, Thesaloniki,’ The Hellenic Centre for Photography, 2006
‘How We Are: Photography in Britain’ Val Williams and Susan Bright, 2007
http://www.tate.org.uk/britain/exhibitions/howweare/default.shtm
‘The Best of 10 years of FotoFestival Naarden’ by Marloes Heineke, 2007
‘XL-Photography 3: Art Collection Neue Borse’ ed. Anne-Marie Beckmann, 2007
Broadcasts
2003‘Different Voices' a 30 minute broadcast for RTE Radio, Ireland. TX
2004Channel 4 (UK), ‘The Spoils of War,’ part of 'The Art Show' strand. TX
2007'The Genius of Photography' for BBC4
Teaching
2005 and 2006The World Press Photo ‘Joop Swart’ Masterclass, Amsterdam
http://www.worldpressphoto.org/index.php?option=com_content&task=view&id=41&Itemid=72http://www.foam.nl/index.php?pageId=398
2008Campus PhotoEspaña, Aranjuez
http://www.phedigital.com/festival/index.php?idioma=en




Two of the best C.V's i've researched. I love the fact that Rowan Butlers's is small and has the basics, nice and simple. I also like the fact that Simon Norfolk's is packed and tells us everything he has done and achieved in his life. In my opinion this is the best C.V I've researched and found online. It's simple and says everything I or anybody else needs to know. 

CD Portfolio

I've put together a collection of photographs to view in my portfolio. The portfolio has to be placed as a hard copy, placed on our updated website and also on a CD. Importing photographs onto a Cd is simple enough but the more effort we make, the better. In todays lecture we learnt how to display our portfolio on CD and how to make it look professional. Instead of placing photographs on a C.D in a plain manner, we learnt how to make a collage of our chosen final photographs. 

Portfolios are usually stored on a photographers website and if lucky enough then exhibited in a gallery for a certain amount of time. Our portfolio has to be on a C.D as well as a hard copy, the final images we choose for our portfolio has to be placed on our website. Naturally most photographers do this anyway and for our arrival into the professional world, its important we learn about these qualities. 

This is Tim Laman's portfolio on his website.....





Laman has of course many portfolios and there is no option to view just one single portfolio, instead he has different topics such as "Birds of paradise" "Fiji Reefs" and "Penguins". These are all subjects that he has photographed over the years of being a photographer. I will have just one portfolio to show so the layout of my work will be very different. 































































































































































































































One Website I am particularly fond of is the British Army website presenting photographs taken by photographers that work within the Army. Although it's not best displayed, I like the website and the way each link works. It's also very interesting photography and meaningful.






























































































































































































































Letterheads

We have to create letterheads for this module, a hard copy of our own design must be submitted for our final hand in. It was hard to research these things because letterheads by photographers are rare and are considered more to be logo's. I have a logo for my website but to be quite frank, I've never been a huge fan of them so I'm meaning to keep mine fairly simple.




Letterheads should be an easy thing to create but it all comes down to effort. I don't have a fantastic idea for my letterhead but with a bit of research and playing around with my website, I should be able to get on with it pretty easily. I'm hoping to change my website and create a new looking logo which is very similar to a letterhead. 

I've never been a huge fan of logo's but If it is necessary, It is important to have some identity to my work. The letter head can also be placed on the top of my composite cards but I might choose to leave this out as I want to keep my work as simple as possible.




I said before that letterheads are similar to logo's and some of these logos' are quite well known. The first image is of many logo's, most of them quite well known and not all of them letterheads or even more importantly, have anything to do with photography. The second image is the trademark logo of national geographic which is one of the most well known logo's amongst documentary photography. The third image is a random letterhead I found online of a photographer not famously known but works nicely. Personally letterheads and logos' have never interested me and I have very few ideas of what I would like to create. The letterhead I want to create will most likely be simple and straight to the point. 








Composite Cards


Composite cards are cards used by photographers or any professional in their own businesses to promote their business. They are fairly straight forward and most of them look similar to postcards. The design and the layout of the composite cards is of a very basic look and so it shouldn't be too hard to create a good looking layout. I know what photographs to include on my composite cards and they will be of the selection I have chosen for my portfolio. 

I was initially thinking of having a logo, almost like a letterhead on top of the composite cards but I think it is best to leave it simple and nice looking. 




These are very simple looking composite cards but from what I have researched, most of them are. I like the way the simplicity flows in these. The first image of a composite card shows the name of the photographer quite clearly below the large photograph on the right hand side of the page and has four more images of which the photographer has taken on the left hand side. The other two composite cards have a photograph on each side of the page.

I'm not entirely sure which appeals to me more but I've always preferred simplicity and the bottom image is the one that catches my eye. I don't like the way the photographers name is stated on the picture in the second image.

Business Cards

Business cards are similar to composite cards but of a smaller size and have more text to them. A business card is what a professional gives to another person in the hope that they will contact them with a business idea. It is important to have all the necessary details on the business card such as:

1. name
2. contact number
3. e-mail address
4. letterhead

I think it is important to have a small letterhead on top of the card to show the identity of your business. 










The first image is the best, I was thinking of doing something similar but instead of having four images lined up at the bottom, mabye the whole of my portfolio and have a selection of lots of little images. Of course I could do something very simple and have one or no image placed on the front with my name allowing me to place my details on the back of the card. The third image is the moot boring, My problem with not placing an image on the card means that there is already no fascination into the photographer. If  a photograph is already placed on a card then it allows the buyer to look at the card and already have an insight to what this photographer takes pictures of. For example: If there were pictures of flowers or just one flower then we would assume that this photographer specialises in taking photographs of flowers or plants. 

My business card will either have one image of an animal or many images of travel and wildlife. The person looking or receiving the business card will know automatically that I specialise in taking photographs of wildlife and travel photography.

Developmental Work

The photos I have taken over the years for my portfolio will be stored as contact sheets. My best photos vary from all over the world and at certain times in my life. I went travelling when I was 18 in 2008 and have lived in Somerset for most of my teenage years. I went to Zimbabwe at the beginning of this year and have been on safari's in South Africa a few times.

Contact Sheets



P.T.O